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‘The Face of Horror’ Review: Anna Biller Brings Her Brand of Technicolor Feminism to a Tale of Chivalry (or Lack Thereof)

TIFF: The medieval setting proves a perfect match for Biller's sensibilities, as she crafts a sophomore feature as visually striking and blunt in its messaging as "The Love Witch."

Published Sep 12, 2026 · 3:45 AMOriginal source: IndieWire13 reads
TIFF: The medieval setting proves a perfect match for Biller's sensibilities, as she crafts a sophomore feature as visually striking and blunt in its messaging as "The Love Witch."
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IndieWire

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